Fighting Against Indifference, David Jiménez Garcia Carries A Heavy Bag

Two hundred people died in an avalanche – not in the French alps, but in the Philippine capital of Manilla.  It was an avalanche of garbage that the city had thrown away. Hours later, David Jiménez Garcia stood at the bottom of the carnage of a monsoon-induced landslide that had weakened the base of a municipal waste dump and had ultimately caused it to collapse upon the homes of 800 families. “I couldn’t believe that there weren’t more journalists who cared,” Jiménez remembers today, speaking with a sonorous, soothing voice, as his hands rose up and crashed down to give life to the garbage avalanche.

While the government of the Philippines blamed the prowess of mother nature in 2000, Jiménez covered the stories of those who fell victim to it. Particularly those who had been stripped of alternatives by the government: The disenfranchised, the impoverished, the abandoned. Children are often the center of Jiménez’ stories, which are full of intimate observations, piercing detail, and illustrative context. The empathy and precision in his reporting are testimony to his long-standing experience in the region: David Jiménez Garcia was the first-ever Asia correspondent of a major Spanish newspaper.

His life began in Barcelona in 1971, when his native Spain was still under Franco’s rule. Born into a dictatorship, Jiménez grew up as his country grew into a new democracy. With the progressives rebuilding the government, his childhood coincided with the introduction of freedom of the press for Spaniards for the very first time. At 12, his family, including three siblings, moved to Madrid. After a high school exchange year in rural Texas, Jiménez enrolled at the local journalism school. Freelancing with Spain’s leading newspaper El Mundo during his last year in college turned into his first job.

At El Mundo, Jiménez covered whatever topic he could get his hands on. “Anything you can do in a newsroom, I did,” he remembers, before recounting how he walked into his editor-in-chief’s office one day with an idea: Latin America, Africa, and Europe were sought-after locations, while no Spanish newspaper had an Asia bureau or correspondent on the continent at the time. Jiménez wanted to go. His boss agreed and in 1998, David Jiménez Garcia became El Mundo’s first Asia correspondent. He stayed for 15 years.

Based first in Hong Kong and then in Bangkok, Jiménez covered wars in Afghanistan, Pakistan, East Timor, Kashmir, and Sri Lanka; he reported on the two big tsunamis and five earthquakes, on revolutions in Burma and uprisings in the Philippines. He contributed to CNN, the BBC, The Guardian, and Esquire magazine. He wrote three books. He won awards.

Most reports penned by Jiménez are heavy human interest stories, playing out in the darkest corners of the world. But many turned into lighter endings. Jiménez chases these endings, following up on his stories and seeking out his former interviewees. “You owe something to the people you wrote about,” he says, “if you care about them, you go back and try to tell the end of the story.” He compiled a selection of juxtapositions, between the tragedy he witnessed during chaos and the uplifting denouement he often found upon returning years later, in his award-winning first book, Children of the Monsoon. Within a few years, Buttons of Kabul and The Happiest Place on Earth followed, equally filled by accounts of resilience, loyalty, and dedication in the face of poverty and violence. Always, Jiménez’ “prose is sharp as a machete” as Brook Larmer lauds, while La Republica calls his work “a journalistic battle against the demons of cynicism.”

Despite the adventurous, nomadic lifestyle of a war correspondent with endless travel and without set hours confined to an office, Jiménez seems to be battling these exact demons. Writing, for him, is a “a chance to fight against the indifference of the people who don’t have the chance to see what you see,” in the hope that his reporting would eventually impact people, move institutions to action, and affect small change.

An aficionado of in-depth investigation on the ground, Jiménez says some parts of the internet accrue to a “Weapon of Mass Disinformation”: Given the new wealth of facts and knowledge on the web, the average reader, viewer, and listener is so bombarded by digital artifacts that sifting through for quality, accuracy and genuine intellectual engagement has become a gargantuan task. And we have become lazy. Nonetheless, Jiménez muses that the visual avenues of the web are promising. Because the more ways to illustrate and distribute high quality stories, the better. Jiménez remains a journalistic zealot at heart.

Yet after 15 years of covering upheaval, hardship, and perseverance of the human spirit, Jiménez stopped. Now, reflecting on the luxury that the Nieman Fellowship at Harvard affords him, he has realized the toll that immersion into the extremes of the human condition has taken on him. “As a journalist you have a bag that you carry on your trips,” Jiménez says, shouldering an imaginary backpack as he talks, “and every time you see something bad and report on the darkest side of humanity one stone goes in the bag.” His fictitious rucksack is getting heavier. “At some point you can’t carry the bag anymore.” Support in such heavy moments comes from his family: After particularly gruesome trips, Jiménez’ wife and three kids pull him back to normality. This contrast is important, he says, to ground him in reality.

Three years ago, after Jiménez reported a story about self-immolating monks on an illegal trip to Tibet, the Chinese government banned him from re-entering the country. Jiménez smiles proudly when he tells this story, adding “it means I did my job well.”

Sophie’s choices

It’s amazing what one can find on the internet: new ideas, fascinating people, and of course cats.  It is so delightful to discover a deep well of knowledge, learn more about something new to you, or finally grasp the appropriate context needed to gain understanding.

Unfortunately, I’ve discovered that the ease of this insta-knowledge can lead to quick conclusions and easy answers, lulling some to think they “know” something or someone: all of the intimacy with none of the time, and little work.

Internet: Now a substitute for real human interaction. (Yep, it's spelled wrong in the gif image.)

Internet: Now a substitute for real human interaction. (Yep, it’s spelled wrong in the gif image.)

As a journalist, I was aware of how extensive research can lead to smarter questions. But for this assignment, I was curious to see what goes missing when the process is reversed: Would relying on a trail of facts from the internet create a accurate picture, an appropriate analysis? How close could it come to the truth of an experience, or the essence of an individual? What goes missing? What is assumed?

Sophie Chou laughing over a caffeinated beverage. (at least it is not a salad)

Sophie Chou laughing over a caffeinated beverage. (at least it is not a salad)

Sophie Chou describes herself as a cat, reader, writer, and Hacker girl.

She told me she was a first year graduate student at MIT, working at the Media Lab. I “knew” this, and a bit more, from what I learned researching her online.

Sophie’s all over the internet, giving a talk about how to democratize data science to a major conference for computer professionals, cooking up really delicious looking inventive food (YUM), and sharing thoughtful and insightful social media and blog posts about her varied interests.

But becoming a computer scientist, and a creative, was quite the journey.

Continue reading

Meet Amy X. Zangh: ‘Lurking’ around social media

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One can learn a lot about Amy X. Zangh on the Internet. That if you pay a special attention to the X. part of her name. Another Amy Zhang, writer, author of books for young adults almost fooled me. But then I thought I had never seen that face before. And Amy X. was someone that had impressed me two weeks before I discovered that I would have to profile her for a MIT class assignment. Amy X., I remembered, had helped to create a new tool to track her browsing activity, her movements online.

Forget programs like Rescue Media, the idea of Eyebrowse is allowing “users to be selective about what they track, and then share that information publicly as a way for people to find interesting content from each other and converse with other people while browsing”, she explained in the occasion.

On that moment, I just thought: “so young, so quick-smart MIT material”. And two weeks later I found myself having to discover all about that talented Chinese girl. As a Ph.D. student in Computer Science at MIT CSAIL (Computer Science and Artificial Intelligence Laboratory), Amy made my job relatively easy by sharing online all her professional achievements in the last few years. Knowing about her personal life, however, was much more difficult. A picture in her facebook page again fooled me. Looked like she got married, but she was just all dressed up with her boyfriend in the marriage of some friends, not theirs.

One personal thing is online: her passion for photography. Her Flickr page, with the curious name of “moderngirly”, brings hundreds of beautiful images. But, again, is almost professional. You can see real art, but not exactly Amy.

I figured out later that Amy loves social media, but only to discover what other people are doing. She realized this official “lurking” is what she wants to do as a scientist. But knowing so much about others, of course she couldn’t commit the same “mistake” of reveal herself.

From her blog and personal page at CSAIL, I could track pretty much all her academic life and career so far. She took her Bachelor degree in Computer Science (CS) at Rutgers (The State University of New Jersey), with an athletic scholarship as a tennis player. Then went to Cambridge University (UK) to get a Masters in CS and now is at MIT pursuing a Ph.D. She did a summer internship last year at Microsoft Research, in Seattle, and she is going to the Google headquarters in Mountain View (CA) to do a new internship next summer.

She defines her focus on “human-computer interaction” and following that line she discovered, for instance, how Americans behaved on Twitter and eventually changed their mind about same-sex marriage. She also collected information from activities on location-based social networks in order to characterize urban spaces and recommend certain neighborhoods for tourists.

Amy, 25, was born in Beijing, China, the day before the beginning of the protests that culminated in the Tiananmen Square massacre, in 1989. “My parents were planning to go to the protest, they were college students, I think that is what all students colleges were doing. Except my mom was pregnant, so she had me instead”, she told me in the following interview. In this Q.A, is possible to get much more of her than the online registers show up.

Why did your family come from China to US?
My dad came to US when I was 3, because he got a research position at Nebraska University. But we were really poor, so he came by himself. My mom just came a year later and I lived with my grandparents for a year or two and then I followed my parents to US when I was 5. We went to Nebraska, then my dad got a post-doc at UCLA, so we moved to LA, we lived there around 6 years. He used to do Forestry research, but during the first dotcom boom, he switched into computers. Then we moved to Irvine, when he started working for Cisco Systems. We lived there for two years, then moved to Texas, my family is still there now since 2000. I left when I went to college, in New Jersey. I like moving around, never lived in a place for long time.

Did your dad influence you to work with computer science?
(Laughs) Maybe… not really. He pushed me to do computer science when I was younger, but I didn’t liked it, whenever he tried to teach me. I think I might have liked it despite him, instead of because of him… even tough he exposed me to it.

Then, what motivated you to study computer science afterwards?
In high school you can take this AP classes, which is basically college credit for high school students. A lot of high school students take it in order to get better college admissions, i mean. I took a lot of those classes, including CS, and I really liked them. Then I joined the high school programing team, we had competitions and it was a lot of fun, I decided that I liked it. Before went to college, I just decided that Computer Science would be my major.

I guess your dad loved this.
Yes, he is happy.

Your Facebook page photo gives the impression to have been taken in your marriage. A friend congratulated you in the comments. And then I got that you are not married. So, who is the guy?
(Laughs) No, I wasn’t getting married. He is my boyfriend. I live with him, but we were just dating. This photo was in another wedding. I met him in the UK, when I did my masters. He and I were in the same fellowship program, the Gates, we became friends and we were friends for like half year, before we started dating. We started dating in UK, then he came back to Harvard for his PhD, I went to New York for a year, we did long distance, and then I moved here.

You describe yourself as focused in the “human-computer interaction centered on discourse and social sharing”. And that you are “interested in designing and building interfaces and systems to improve discourse, collaboration, and affinity on the web, with applications to news, political discourse, and civic engagement”. What does it mean?
What I do is: I study social media, I study data from social media to find out interesting things about people, I build new social media tools, new algorithms for how social media decides to show certain things, or new technics for collaboration, or new tools for showing content or allowing people to talk.

Does it mean you are planning to create a super popular social media, like Facebook, or you are more interested in understanding how people behave in social media?
I think both. Well, I don’t really plan on making something super popular, but something novel, that people try out, and I hope they like it. I think people reveal a lot when they have conversations, they reveal a lot about themselves, their values, their feelings about certain things, so you can learn a lot from that. I always thought interesting the wide variety of things that people just talk about online and I really enjoy reading other people conversations. One of the reasons that I got into this research is because part is centered in discussions online, how to improve them, how can we study them, how can we build better interfaces to make easy having this discussions online. That came out of me because I really love reading them. Whenever I read something, I love to read comments about it, to just see what people are saying about things. I think that is why I got in this whole thing.

It is funny you said that, because everything that I could find about you on internet was not exactly about your values and your feelings, but your achievements as a professional. So, precisely because your are interested in this behavior you act on Internet exactly not revealing yourself?
Yeah, I guess I use social media more to put may professional stuff, specially in Twitter. But Facebook has some work too. I don’t really engage in posting a ton of personal stuffs, pictures, like many friends do, but I really love reading other people stuff.

You are going to Google in Mountain View this summer. What are you going to do there?
I am not sure yet exactly. Probably along the same lines I am studying here, but with Google products, doing some research, like Youtube comments, or Google Store comments, maybe Google plus.

In one of your last papers was examine almost 2 million public Twitter posts related to same-sex marriage in the U.S. states. What did you discover?
Last summer I interned in the Microsoft Research, in Seattle, and one of the greatest thing is that they have access to the entire Twitter firehose, which is all the public tweets ever, tons and tons and tons of tweets. So we were looking, within the American states, how people were discussing same-sex marriage, all the way back to 2011 until today. Several different laws were passing or failing in different states and we could look what people were talking about related to these legislations. We could see how public opinion changed depending on whether the law passed or failed. Then we tried to understand whether we could predict if something will pass or fail depending on how people are discussing it on Twitter. Overall we got a pretty good accuracy, like 85% on 45 events.

What are your projects on MIT now?
One of them is the Eyebrowse. I built a lot of it, but it was not just me, a lot of people built it too. And I am really excited now. Hopefully we will get more users and then we will run some experiments later this semester. We are hoping for a couple of different goals for the project. The way we see this being useful is 1): you can track your own media consumption and sort of audit what you look at. 2) It is useful way to find out about interesting stuff. So if you have data on a lot of people about what they are reading about, you can sort of see like: “oh, tons of people are reading this” or “this must be an interesting article because people are spending 10 minutes on this”. Once you have this metadata it is possible to you can recommend interesting things to read. And 3), having this data you can know, on real time, where people are on the Internet and so you can do things like chat on certain pages, leave comments on pages, leave notes for your friends, things like that.

Several news outlets can already say what their readers are consuming, like the top stories. The difference is that your project could track the entire Internet, not just one site?
Yes. Every media company has their servers that can track their own consumption, but don’t have a comparison with others, for instance. And we don’t believe it should be sold. We will be releasing this publicly. Right now companies can install things in your computer that you are not realizing and checking what you are visiting in the web without consent. And then this companies sell that data without your consent for tracking you. We specifically ask you which pages you want to be tracked. People could use this data to do research or build new things. The point it that nowadays all this power is concentrated in big companies or governments, and scientists or developers don’t have access to this data.

An Object-Based Conversation with Bianca Datta

Bianca Datta spends a lot of time with objects. We all do, but not like her; she designs them, makes them, thinks about them, and responds to questions from prying interviewers about them.

Bianca is a product designer and first-year graduate student in the MIT Media Lab’s Object-Based Media group. I wanted to learn a bit about her design sense and the ways she relates to objects in particular, so I showed her seven objects that each sparked a conversation about different aspects and stages of her life.

01-maryland

I started off easy. Bianca is from Maryland—Montgomery County, not Baltimore, which most people mistakenly assume (or maybe they just don’t know any other cities in Maryland). She explained her home state as a “microcosm of the US,” which, looking at the state’s map, she attributed in part to its geography. The peninsula, the panhandle, and the two major metropolitan areas each form their own identity.

02-penn

Bianca then set off to Philadelphia to study at Penn’s School of Engineering. She knew that she wanted her work to have energy applications, and started off focusing on chemical engineering, but later found a home in Penn’s materials science lab as a Materials Science and Engineering major. She claims that chemical engineering didn’t work out because she is “not into math or physics,” which befuddled me. It’s all relative.

Bianca has many Penn mugs (all gifts) and paraphernalia, and when I ask which is her favorite, she ponders for a while: “that’s really tough. I have so many.” She settles on a hoodie that she got for being a residential advisor, which she likes not only for the color and comfort, but its associations; it reminds her of home, as well as camaraderie with her fellow RAs.

The mug itself also had significance: “I am really big on tea,” she says (she was late to our meeting because she was getting coffee). She associates tea with her family, and uses it as a way to connect with people; as an RA, she would offer tea to students to encourage them to stay and talk. Nowadays she organizes many of the Media Lab teas.

03-dormitron

At Penn, Bianca took a formative product design class that led her towards her current work. One of the projects in that class was Dormitron, an RFID-operated door, which would replace your dorm’s traditional key with an RFID chip, making your dorm’s door work like the key card in the campus entrance, or a bit like a hotel room.

Bianca first downplayed the project by saying “every year somebody does an RFID thing [for the class],” and mentioned that there are still barriers to wide adoption due to security liabilities. But she also insisted that her team’s product was better designed than others. Although she regrets not being able to participate in the product’s actual fabrication, it was her first opportunity to go from idea to product.

05-3m

Bianca spent one college summer in Minneapolis working for 3M, which introduced her to the corporate working world as a materials engineer. She was simultaneously impressed with the range of 3M and with their level of trust in her expertise and experience.

Her summer at 3M convinced her to go to graduate school, maybe to postpone the red tape (or poster tape?) of major corporations, and because she found that the most interesting work at 3M was being done by people with PhDs. It seemed like a good sign.

Although she was not working on improving 3M’s poster tape, she did have strong opinions: “I hate command hooks. They’re useless and always fall off the wall.” She points to 3M as proving that generic products are not all the same; her 3M sticky-notes stayed on longer and left less residue than the non-branded alternatives. Still, she notes, it’s not always worth the added cost.

06-flip

Along with Partnews RA Alexis Hope, Bianca designed a digital input/output device during the famed Media Lab class “How to Make Almost Anything.” The project was initially an excuse to try out the Processing programming environment, which allows for interesting visual effects. If you press a button, the background changes; this allowed them to switch between a “moon” view and a “sunrise” view for the object.

Bianca’s final and favorite How to Make project was a nap pod called DUSK, which she tells me currently exists and lives in the Media Lab, so I plan to find it and sleep in it tomorrow. For her the project was exciting because she made it from scratch; it was “in my head, and now it’s real, and its big, and I get to use it.”

07-stuffmatters

This book was on Bianca’s otherwise defunct Goodreads page, so she was surprised that I’d found it. On one hand Goodreads was just a “one-off thing” for her, but on the other, “this book is all about what I do.” It is a popular-scientific approach to materials and objects, with successive chapters on cement, paper, grass, and so on. Bianca’s current research examines how human beings relate and connect to materials; for instance, why we view some materials as stable, friendly, and durable, while others are considered foreign or cold. So this book is right up her alley.

Unsurprisingly, Bianca prefers paper reading over screen reading, which gives off the illusion of being “less serious.” But like most people, she makes plenty of concessions for the sake of digital convenience.

Bianca read Stuff Matters at Cambridge’s local Book Club for the Curious. As a first-year student, she felt like this connected her to the city and community. Whether tea mugs, hoodies, or books, Bianca associates her favorite objects with their social functions and associations. As an expert in things, her favorite things are the ones that connect her to her favorite people.

Phil Gara

Phil Gara, filmmaker and MBA candidate at the Sloan School of Management, tries to avoid labels. He has been to a film school run by Werner Herzog, plays forward on the MIT ice hockey team, and participated in Hurricane Sandy relief efforts. He has produced and directed a number of documentary films and shorts, including Project Z (which examines global security issues via zombies), Occupy Central Park, and Morning on Mars (about the Mars Rover landing). I spoke with him about his internet presence, snap judgements, and the essence of drama.

AN: So, you did a film school with Werner Herzog. What was that like?

PG: …He’s able to focus on a level that’s much different than what everyone else is able to do. It’s, I think the success of his films is just the ability to focus in on a subject, and focus so deeply that you draw insights that would otherwise escape anyone else.

AN: You also made a film, Occupy Central Park.

PG: That was about the Occupy Movement. It was about this kid trying to organize a concert in Central Park in the middle of this movement. It just kind of followed for a month this effort… I mean, that was one of the films I made. I guess for some reason that one shows up more in Google results or something?

AN: I just zeroed in on that because I have actually been there.

PG: It definitely does make me less employable, I find.

AN: Really?

PG: Well, I mean, I’m in business school, right? I definitely notice whenever I apply for a job, my film page, facebook views get like a huge amount of views, and, I don’t know. I just imagine that for a large company that’s risk-averse, it’s not necessarily something that’s gonna help me get a job. … I’ve just kinda let that stuff all stay out there, but it’s definitely something I always think about. You know, if you have this stuff in public everyone can kinda infer things. If you actually watch the film, it’d be a pretty sort of even-handed look at the movement, etc. But those are all things you can’t really infer from just a search term or something.

AN: I understand that you were also involved in Hurricane Sandy relief.

PG: Yeah, I did a little bit of that. … I have all these pictures and videos I still haven’t done anything with. … The way I did it would just be going with a friend of mine… to Staten Island, kind of walk the streets to see people who were working on their houses, just clearing out sheetrock, and just asking if they needed a hand. Usually that was more effective, I felt, than going through a large organization. …I kind of wish I had done a more of an in depth film about the whole Sandy thing. …The ones I’ve seen kind of didn’t capture it, just how rough it was for a lot of people.

AN: What do you think is the most important thing about you that’s not available on the internet?

PG: I always worry about the inferences that people draw from the limited amount of information on the internet, and it can’t really judge your intent or your thought process, etc. The sort of tagging and search-term-keyword way of the internet organization seems to lend itself toward labels…and so I’m always worried about being labeled and having false inferences drawn from those labels. So let’s say, for example, if you made a film about the occupy movement, that would connote a bunch of different labels. …I’m always trying to be in between and avoid labels. Like, I did make a film about occupy but I’m also in business school. So that’s kind of, to some people, a contradiction… The one concern I have is that people just kind of infer the worst every time…this is some, you know, radical lefty with Occupy, or then some business school robot. And there’s definitely–hopefully–some room in between. I don’t know if it’s easy to see that with just the information that’s out there.

AN: What is it about your values that motivated you to do both of those things? What’s the overlap?

PG: I don’t know. The one thing that I did learn from filmmaking, maybe even the Werner Herzog seminar, is that the essence of drama is…the main actors are involved in a story that they’re kind of unaware of and that’s what’s interesting to the audience. You’re seeing them play out something but they’re not fully conscious of it, and I think that’s the way it is with everyone’s life. You’re driven by certain things but you’re not fully aware of those things…So I would say it’s hard to have an answer to that, but I’m sure there’s some reasons. But that’s more for other people to interpret I guess.

AN: But not on the internet.

PG: Well, I’m just worried. On the internet it makes it really easy to just superficially tag people but what I’m talking about is sort of sustained look at someone’s life and trying to infer a kind of grander theme to it all that takes a little more time and reflection. I don’t know if we get that. There’s definitely a mythical quality to everyone that I’m not sure you get on the internet.

So I made this video, a little taste of what it would be like if Werner Herzog turned his formidable focusing powers to interpreting Phil Gara’s publicly available internet life:

http://www.youtube.com/watch?v=8xkRFXLDdmE&feature=youtu.be

Meet Pau Pernghwa Kung and Welcome Social Machines

Meet Pau Pernghwa Kung

Meet Pau Pernghwa Kung

It is hard to interview a self-defined “not very active user of social media”. But as I see it, that’s a good quality. It does mean that you’re not going to fill my Facebook wall with videos of cute kittens, which is a blessing in these times. Yep, I said exactly those words to Pau. And he laughed.

Pau Pernghwa Kung is a first year graduate student at Deb Roy’s Laboratory for Social Machines, as you can read here. He is working on “mixing machine learning, network analysis, and journalism in ways that make news sing.” Continue reading

Michael’s digital identity or virtual reality

I did what I think many of us did when starting this assignment.

I started opening tabs and tabs and tabs when I mistakenly clicked on the “Images link” on top of my window and discovered various shots of Michael. I wonder, would I know Michael if I saw pictures of him or read what other told about him. Does the web encapture who we are through quotes and snapshots of our lives or is it just a nice story book.

This pictures was taken a few years ago in Nashville, Tennessee where Michael went for a concert with his good friend Jessie. He had won two tickets to go see and hear Yo-Yo Ma play with the Nashville Symphony Orchestra. Other than the fact that Yoyoma “played like he had a demon inside him and that he was releasing it through the tip of his bow”, this picture is also used as the face of Michael on numerous websites such as LinkedIn and Twitter.

Michael first encountered Twitter through a high school class on media in the 21st century. After exploring this new form of media, he could not figure out a meaningful way to use it until a few months ago when he discovered the importance of Twitter in the media world. Twitter happens to be a great tool for surfacing information on subjects that Michael likes and follows but also for networking purposes. He discovered that Twitter acts a bit like a “social currency” amongst journalists. Following someone or being followed are not traded lightly in an industry where validation of peers seems important.

Look at that smile! This one was taken during Michael’s senior high school year as part of all the pictures taken for the YearBook and other internal school publications. This picture is actually the journalist face of Michael. It was primarily used as profile picture for the New-York Time blog. Michael wrote articles for the New York Times between March and June 2010. He was among 6 students who were selected to write about their college admission process in the NYT blog.

Michael journalistic interest did not start at the New York Times. He was Co-opinion and then Co-editor of his high school newspaper. He really enjoys writing and despite not being ready to commit to journalism, he knew that he was not done with it either. His take on this experience at the New York Times: “crazy”, “bizarre” and “fascinating”. He was impressed that so many people were invested in his story, and yet that the journalist’s work creates a “layer of abstraction” that put some distance from the reality of the people in the pieces and ease to write about anyone.

This third one is a treacherous one: the picture was edited and used in a very different context than the actual one in which the picture was taken. Let’s talk about the picture first. This was taken in sophomore year at Vanderbilt when Michael was “Vuceptor” Vuceptors are the older students dedicated to helping new students and their parents settled so they don’t have to lift a thing.

The trick here is that the picture was trimmed and Michael was put in the for front. Instead of seeing the load of other students helping and the queue of cars with parents eager to get their offspring settled in, the picture was edited and linked to a piece on the Vanderbilt blog talking about the One who chose Vanderbilt over Yale a few years ago and its evolution at Vanderbilt. Michael knows this is mainly because “Vanderbilt was excited I had picked them over Yale” but this piece, following the story the NYT started on him, was really “disconnected from the reality” and deciding for “college gets too many people stressed”. The one thing Michael wants us to remember from this picture is that “he was happy to be at Vanderbilt”.

Lastly I asked Michael about this picture. He remembered most of the context. This is an extract of a Vanderbilt TV coverage of an annual concert organized in Nashville for students. This particular concert was in 2012, Archives Nights were playing. Michael remembers a “great concert” and the 4 members of the band “were good”. He confessed that he had tried to organize a similar event to promote the band and it ended up being “a terrible event that he had tried to plan”.

After all of this, I asked Michael if this glimpse of what could be found on him on the internet was a good representation of who he was. He paused for a while and admitted that it was “incomplete”. The public content is mostly “polished and professional”, more of a “candid shot” and that none of the pictures or the articles attached were “capturing the true sense of everyday”. For him, his Facebook profile would give a better representation of who he is but even a privileged access on his social media profile would still not do the trick.

Most pictures present have been posted by friends rather than himself. An interesting thought crossed my mind. The absence of pictures of Michael was perhaps more representative of him than what you could actually find. After sharing this thought with him he concluded: “In a lot of sense I’m boring. I don’t put myself in position where people would take picture and I would be embarrassed in they posted them online”. This struck me. First, it would mean that not ending on Facebook in some weird half-naked outfit is boring. Second and more importantly, you obviously don’t end up writing for the New York Times or studying at MIT by being boring. Maybe there is more to it than meet the eye and the digital world is far from being mature to represent lives and share experiences.

 

Hacker, Maker, Chinaman: a story about the Maker Movement in US and China as told by Celeste LeCompte

On a sunny Monday in Cambridge, I sat down with Nieman fellow Celeste LeCompte to interview her. Based on my last-minute Googling, I’d discovered that she had an interest in robotics, the environment, and China. Hoping to get the scoop about Environmental issues in China or the experience of being a foreigner traveling in the country, I came prepared to learn some interesting details about that. Instead, a fascinating story about the parallels between the Maker movement in the China and US, along with the discussion of what exactly it means to be a “Maker”, emerged. Thank you, Celeste!

Hacker, Maker, Chinaman